As 2020 is nearing an end, it is time to review the albums I have vibed with the most this year. I had made a point and a resolution to keep in touch with music in the scene, as I am sure I have said before. I now find myself with too many albums to make a definitive list, but many things to talk about.
This is not a top anything. There is an album of the year, but that's about it. There are a lot of albums I really, really liked. Some I have novels' worth of content to talk about, some about which my feelings fit in a few lines. There is a little bit of everything.
Throughout the garbage fire that was 2020, I found myself drawn to positive albums. As I discuss somewhere in there, I believe positivity, especially in music, is a double-edged sword, because it's ever so easy to fall deep into the toxic positivity, "I am so disconnected from life so I will be telling you how wonderful life is, even though I know nothing about struggles" vibe. I found the sun, hope, and comfort I needed in albums that dissected feelings, explored the ups and the downs, in honesty, and in company. Strangely enough, despite seeing so many of my favourite heavy bands releasing music, I have not listened to -core bands as religiously and regularly as I usually do. But it's winter, accidental heavy metal season in my world, so, don't worry, I shall be finding my way back to screaming and breakdowns soon. Maybe I'll rediscover hidden gems. I am not purposely ignoring anything or anyone.
THE DEATH OF ME
(Polaris, released February 21st)
I have become picky with my heavy music, and I think it stems down from years of disappointing shows and albums I cannot relate to anymore. When I listen to heavy music, metalcore, deathcore, hardcore, whatever, I want to be blown away, I want to be stopped in my tracks and think well, this is one hell of an album.
I also tend to find most of my favourite heavy bands live, and Polaris was no exception. The first time I saw them was supporting Architects in Sweden, and, as the tour went on, I found myself more and more excited to see them play. In no time, in a click of the fingers, in the blink of an eye, their music has become important to me, and as soon as the state of my brain dips down into the uncertainty and the dark, it's the signal that I have to play Crooked Path on a loop until it gets better. This song has quickly become the musical version of emotional support.
Obviously, I was madly excited at the idea of them releasing a new album this year. I think one of the main reasons why I find it hard to relate to heavy albums is that I feel like some of the bands making them do not want to be making those songs and those albums. I don't know if they realise how easy it is for listeners to hear that the band on the other side of the microphone, the guitar, et al, would rather have their eyes scooped out of their sockets with a rusty teaspoon.
We can tell.
There is nothing like that at all with Polaris, there has never been, and I pray to God there will never be. The Death Of Me is the album of a band that is confident in their sound and who they are as a band. They have some of the most incredible vocals and don't overdo the split between clean vocals and harsher vocals. It never appears like their music sticks to a pre-made formula or something they should adhere to. It all feels very organic and natural, and, as a result, genuine. I couldn't be further away from being a musician, but Polaris also has some of the best guitar work I have ever heard. I love a good, strong, technical riff, as long as you don't try to revive the six-hour guitar solo à la Iron Maiden. I just love heavy music that isn't heavy for the sake of being heavy.
Metalcore has been through many trends and phases, often dictated by the bands who make it big, and all the bands that follow in their exact footsteps in the hopes of making it big too. Metalcore is a constant rotation of tropes and clichés, of keyboards, of breakdowns, of signature sounds, of music videos filmed in decaying warehouses or in forests, of aesthetics, fonts, everything. Metalcore somehow feels a lot more codified than other genres, and I love that Polaris is above it all. They are heavy, ridiculously so. They have screams and clean vocals. They tick all the metalcore boxes, but in a way that feels a lot more genuine than most bands, sometimes more experienced than them. Polaris is, right now, one of the very few truly exciting heavy bands. I wanted to find a better way to conclude this than "Fuck, I love them," but, fuck this. I fucking love Polaris, and The Death Of Me is gnarly perfection.
(PS - Anyone want to talk about their recent triple j Like A Version cover? I don't know what a Black Fingernails, Red Wine is, but I have no doubt Polaris made it 100% better than the original. I think my brain exploded when I first listened to it.)
NO GOOD LEFT TO GIVE (Movements, released September 18th)
SELF CARE
(Yours Truly, released September 18th)
(Yours Truly, released September 18th)